Sony ILME-FX6V Camera

€6,599.00 €5,453.72
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SKU
SONILMEFX6V
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À l'intérieur d'un boîtier compact prêt à l'action, la FX6 est équipée d'un capteur d'image plein format très sensible qui vous permet de développer votre créativité cinématographique.

Get ready to tell extraordinary stories
Inside a compact, action-ready body, the FX6 features a highly sensitive full-frame image sensor that lets you expand your cinematic creativity.

Great Film Expression

Capture the impossible with extended ISO
Capture images in near total darkness with an impressive extended ISO range up to 4096002. The full frame sensor combined with an innovative light capture system ensures unlimited shooting possibilities.

Stunning bokeh and full-frame creativity
Capture beautiful 4K images with the creative freedom of a full-frame sensor. Capture every detail of the scene with shallow depth of field and stunning bokeh effect for a cinematic look.

Cinematic-quality color science with S-Cinetone™
S-Cinetone color, developed for Sony's acclaimed FX9, is the default look for the FX6. Fine-tuned to meet the demands of today's content creators with rich color and natural skin tones, it produces fresh, vivid images straight out of the camera without calibration, while maintaining wide latitude for post-production.

High sensitivity and low noise with large pixels
The 10.2-megapixel3 Exmor R™ back-illuminated full-frame CMOS image sensor offers high light capture capability. Its fast readout speeds and dynamic range of more than 15 dpi2, provide intense image quality and sensitivity for reduced noise.

Powerful BIONZ XRTM image processor.
The BIONZ XR image processor matches the sensor's ultra-fast readout speed with enormous processing power. With a future-ready architecture, it delivers high image quality faster and boosts the responsiveness of the camera interface.

Wide dynamic range, limitless expression
With its base sensitivity of ISO 8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced sensitivity of ISO 128004 is also available for challenging low-light, morning and evening shooting. The FX6 offers an exceptional dynamic range of more than 15 stops2, beyond the perception of the human eye in many conditions, allowing unprecedented creative freedom in color grading and post-production.

Accuracy and Consistency
Long-range AF uses intelligent tracking and sensor-based phase detection to reliably track the subject across most of the image (6275 Focal Plane Phase Detection AF covers approximately 89% of the image). The hybrid AF system ensures accurate focus, even when shooting at shallow depth of field and high frame rates of 120p in 4K (QFHD)6.

Real-time Eye AF and Face Detection
Real-time Eye AF and Face Detection provide accurate and stable focus for interviews, events, and more. Sophisticated real-time processing enables accurate focusing even when subjects are looking down or up at acute angles, allowing the operator to fully concentrate on composing the best shot.

Great focus control for solo professionals
Over 7 levels of AF transition speed and over 5 levels of AF sensitivity to subject movement give you creative freedom.

Auto focus subject selection with the adapter ring
When the AF assist function is activated, a rotation of the zoom ring instantly switches from AF to manual focus to quickly select another subject. Auto focus resumes as soon as the user stops turning the zoom ring on the lens.

Auto focus area/position
For AF, you can set the target area from Flexible Spot, Zone, Wide and quickly change the target area position during shooting by simply touching the LCD screen.

4K7 120 fps with focus on every frame
High frame rate shooting can turn everyday action into a visual feast of elegant motion. The FX6 captures up to 120 frames per second (fps) in 4K (QFHD). Slow motion and fast motion modes give you full control over the frame rate from 1 to 120 fps, enabling storytelling with precise motion and the ability to slow the image up to 5x with Super Slow Motion (24 fps output).

Auto focus with Sony E-type lenses
Experience fast, smooth autofocus with Sony E-type lenses, with optical performance and handling for demanding film applications. The unique actuator technology of Sony E-Type lenses enables faster, more accurate AF to support your creative efforts.

Integrated Variable Neutral Density Electronic Filter
The FX6 is equipped with Sony's unique built-in Variable Neutral Density (ND) electronic filter. Unlike conventional optical ND filters, the FX6's electronic ND filter can be controlled from 1/4 ND to 1/128 ND in a linear fashion, or set to automatic. Ideal for changing environments, there is no need to change filters when light conditions change or to maintain your depth of field.

Lightweight, modular and rugged
With its surprisingly light 0.89 kg body, the magnesium alloy FX6 is designed to withstand demanding shooting. Smart Grip

Mobility to shoot in the moment
Ideal for low-angle shooting, the Smart Grip is part of the FX6's modular design. It's easy to reconfigure for any application: gimbal mounting, drone mounting or underwater housing.

Magnesium housing and frame: lightweight and durable
For maximum reliability in harsh conditions, the housing, covers and top handle are made of a lightweight magnesium alloy. The main frame offers strength and durability for minimal weight, and more mobility.

Architecture designed to avoid thermal shutdown
The custom ventilation and chassis design prevents thermal shutdown when shooting8 at high refresh rates and 4K (QFHD). Everything has been calculated for optimal ventilation: the number of heat sinks, the shape of the air inlets and outlets, the location of the low-noise fan9 and the airflow paths.

4:2:2 10-bit recording
Record directly to the camera with the exceptional richness of 10-bit color sampling and 4:2:2 for greater flexibility in image grading, post-production and compositing.

All-Intra encoding available
In addition to the long GOP, internal All-Intra encoding is provided. It allows each frame to be encoded independently at bit rates of up to 600 Mb/s, capturing complex motion more accurately and enabling more efficient editing workflows.
[1] All-Intra (All-I) [2] GOP Long [3] Group of Pictures

16-bit SDI RAW output
16-bit RAW output available via SDI connection to compatible external recorders. XAVC-I files are captured simultaneously in the camera. RAW video output consists of 4096 x 2160 or 3840 x 2160 image sensor data, with a frame rate of 12010/10010/59.94/50/29.97/25/24/23.9811.

Shooting modes to suit the designer's workflow
The FX6 camera offers shooting modes with preset looks such as S-Cinetone that produces in-camera images, or S-Log3/S-Gamut3 with Cine-EI mode that captures perfectly exposed images for post-production.

Scene File function for easy on-location aspect changes
Four preset scene file types are available for shooting in SDR (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural), plus 16 slots for imported user 3D LUTs for your preferred look without post-production

Outstanding grip and smart handle
Sony's Smart Grip and Intelligent Handle are easily adjusted with one button. With programmable zoom, record, and control buttons and an iris control dial, work in comfort for hours.

Professional connectivity
A wide range of professional interfaces are available: 12G-SDI and HDMI12 outputs, remote interface, TC connectors for multi-camera synchronization and SuperSpeed USB 5 Gb/s (USB 3.2), for smooth data workflows.

Multi-Interface (MI) Hotspot
The Sony Multi-Interface (MI) Hotspot provides power, signal and switch connections to compatible Sony accessories, including wireless microphone systems such as the UWP-D21 or UWP-D221113.

Audio input and four-channel recording supported
Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adapters, such as the XLR-K3M, can also be used with the MI Shoe.

Two XLR inputs and enhanced audio capabilities
The FX6's grip has two independent audio inputs, easy-to-access XLR connectors for connecting professional external microphones. UWP Series wireless microphones can also be connected via the MI Shoe.

2.76 million dot HD LCD14
The 8.89 cm (3.5") LCD allows for precise manual focusing in challenging conditions. Flexible mounting locations and angles allow comfortable shooting for a variety of preferences and setups.

Quick menu control with touchscreen operation
The LCD monitor features a quick access control menu. With a single touch, you can change the codec, image scan mode, image size and frequency, sensitivity/ISO base, shooting mode and audio levels.

Two CFexpress Type A compatible slots
Dual media slots support CFexpress Type A15 cards, as well as conventional SDXC UHS-I and UHS-II cards, for fast buffer release and data management. Simultaneous, relay, interval and proxy modes are supported.

Networking for mobility
Wi-Fi® connectivity enables a host of advanced wireless production features, such as remote control via smartphone or tablet and the Content Browser Mobile app. Easily connect with manual pairing or one-touch NFC technology.

Metadata makes editing in Catalyst easy
The FX6 stores three types of metadata: image stabilization, clip tag and camera rotation. This is useful when previewing and editing in Sony's free Catalyst Browse software or in the low-cost Catalyst Prepare16 software.
[1] Shooting [2] Editing

SPECIFICATIONS AND FEATURES
The Cinema Line FX6 camera provides creators with revolutionary compactness and performance, with a full frame image sensor and breathtaking sensitivity. Advanced video features offer unprecedented performance, a range of cinematic renderings, as well as professional interfaces and an electronic variable neutral density filter. Note: Use of this equipment in a residential environment may cause radio interference.

Full-frame performance with high sensitivity and preset cinematic rendering
Advanced video features including real-time Eye AF and Face Detection
4K (QFHD) recording at high frame rates 120 fps
Built-in variable neutral density electronic filter
Film quality color science with S-Cinetone

SENSOR TYPE
35mm full frame, single chip CMOS image sensor
PIXELS
Approximately 12.9 megapixels (total), approximately 10.2 megapixels (effective)
SENSITIVITY
800 - 12,800 ISO (Cine EI mode, D55 lighting)
BUILT-IN OPTICAL FILTERS
Precise linear variable neutral density filter (1/4ND to 1/128ND)
MEDIA TYPE
SD/CFexpress Card Type A (x2), Slot B can be used for recording setup data.
LCD
8.8 cm (3.5 type), Approx. 2.76 million dots

General

LENS MOUNT
E-mount

Size & Weight

WEIGHT (MAIN UNIT ONLY) (APPROX.)
890g (1lb15oz)
WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (APPROX.)
2.59kg(5lb11oz) (with Viewfinder, Grip Remote Control, BP-U35 battery, SEL24105G LENS, Lens Hood, Handle, MIC holder)
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.)
114 x 116 x 153 mm(4 1/2 x 4 5/8 x 6 1/8 inch) (body without protrusions)

Power

POWER REQUIREMENTS
DC 19.5V
POWER CONSUMPTION
Approx. 18.0 W (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)
BATTERY OPERATING TIME
Approx. 105min. with BP-U35 battery (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device), Approx. 215min. with BP-U70 battery (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)

Operation

OPERATING TEMPERATURE
0°C to 40°C, 32°F to 104°F
STORAGE TEMPERATURE
-20°C to +60°C, -4°F to +140°F

Recording Format(Video)

XAVC INTRA
XAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264, XAVC-I HD 25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264, XAVC-I HD 29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
XAVC LONG
XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC, XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC

Recording Format (Audio)

RECORDING FORMAT (AUDIO)
LPCM 24 bits, 48 kHz, 4 channels

Recording Frame Rate

XAVC INTRA
XAVC-I DCI4K mode:4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P, XAVC-I HD mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-I QFHD mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC LONG
XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-L HD 50 mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-L QFHD mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P

Recording/Playback Time

XAVC INTRA
XAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB):Approx. 74 minutes When using CEA-G80T (80 GB):Approx. 36 minutes, XAVC-I DCI4K/QFHD 25p When using CEA-G160T (160 GB):Approx. 71 minutes When using CEA-G80T (80 GB):Approx. 35 minutes, XAVC-I DCI4K/QFHD 29.97p When using CEA-G160T (160 GB):Approx. 60 minutes When using CEA-G80T (80 GB):Approx. 29 minutes, XAVC-I DCI4K/QFHD 50p When using CEA-G160T (160 GB):Approx. 36 minutes When using CEA-G80T (80 GB): Approx. 17 minutes, XAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB):Approx. 30 minutes When using CEA-G80T (80 GB):Approx. 15 minutes, XAVC-I DCI4K 24p When using CEA-G160T (160 GB):Approx. 74 minutes When using CEA-G80T (80 GB):Approx. 36 minutes, XAVC-I HD 23.98p When using CEA-G160T (160 GB):Approx. 185 minutes When using CEA-G80T (80 GB):Approx. 91 minutes, XAVC-I HD 25p When using CEA-G160T (160 GB):Approx. 150 minutes When using CEA-G80T (80 GB):Approx. 74 minutes, XAVC-I HD 29.97p When using CEA-G160T (160 GB):Approx. 150 minutes When using CEA-G80T (80 GB):Approx. 74 minutes, XAVC-I HD 50p When using CEA-G160T (160 GB):Approx. 78 minutes When using CEA-G80T (80 GB):Approx. 38 minutes, XAVC-I HD 59.94p When using CEA-G160T (160 GB):Approx. 78 minutes When using CEA-G80T (80 GB):Approx. 38 minutes
XAVC LONG
XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB):Approx. 430 minutes When using CEA-G80T (80 GB):Approx. 210 minutes, XAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB):Approx. 320 minutes When using CEA-G80T (80 GB):Approx. 155 minutes, XAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB):Approx. 170 minutes When using CEA-G80T (80 GB):Approx. 86 minutes, XAVC-L QFHD 59.94p/50p When using CEA-G160T (160 GB):Approx. 115 minutes When using CEA-G80T (80 GB):Approx. 57 minutes
PROXY AUDIO
XAVC Proxy: AAC-LC, 128 kbps, 2 channels
PROXY VIDEO
XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920x1080, 9Mbps

Camera Section

SENSOR TYPE
35 mm full-frame, single-chip CMOS image sensor
PIXELS
Approx. 12.9 megapixels(total), Approx. 10.2 megapixels(effective)
BUILT-IN OPTICAL FILTERS
Clear, linear variable ND(1/4ND to 1/128ND)
SENSITIVITY
ISO 800/12800 (Cine EI mode, D55 Light source)
S/N RATIO
delete
SHUTTER SPEED
64F to 1/8000 sec

Slow & Quick Motion

XAVC-I
1 to 60 frames (59.94/50/29.97/25/24/23.98), 4096x2160
XAVC-I/L
1920 x 1080, 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98), 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98), 3840 x 2160

White Balance

WHITE BALANCE MODES
Preset, Memory A, Memory B (2000K-15000K)/ATW

Exposure

GAIN CONTROL
-3 to 30dB (every 1dB), AGC

Gamma

GAMMA CURVE
SDR mode : S-Cinetone, Standard, Still, ITU709, HDR mode : HLG_Live, HLG_Natural

Latitude

LATITUDE
15+ stop

Interface

TC INPUT/TC OUTPUT
BNC, TC IN/OUT Switchable
AUDIO INPUT
Mic Reference: -30 to -80 dBu, XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
SDI OUTPUT
SDI OUT: BNC, 12G-SDI, 6G-SDI, 3G-SDI(Level A/B)
USB
USB Type-C(x1), Multi/Micro-B (x1)
HEADPHONE OUTPUT
-16 dBu 16 Ω, Stereo mini jack (x1)
SPEAKER OUTPUT
Monaural
DC INPUT
DC jack
REMOTE
Stereo mini-minijack (Φ2.5 mm)
HDMI OUTPUT
Type A (x1)
GRIP
Minijack(φ3.5mm / 4pin)

Monitoring

LCD
8.8 cm (3.5 type), Approx. 2.76M dots

Built-in Microphone

BUILT-IN MICROPHONE
Omni-directional monoral electret condenser microphone (body) (x1), Stereo electret condenser microphone (handle) (x1)

Media

MEDIA TYPE
CF express Type A / SD card (x2), Slot B can be used for saving configuration data.

Wi-Fi/NFC

SUPPORTED FORMAT
IEEE 802.11 a/b/g/n/ac
FREQUENCY BAND
2.4 GHz bandwidth, 5.2/5.3/5.6/5.8 GHz bandwidth
SECURITY
WEP/WPA-PSK/WPA2-PSK
NFC
NFC Forum Type 3 Tag compliant

Supplied Accessories

SUPPLIED ACCESSORIES
AC Adaptor(1), Battery charger(1), Battery pack(1), Before Using This Unit(1), Cold shoe kit(1), Grip remote control(1), Handle(1), Handle connector cap(1), LCD hood(1), LCD monitor(1), Lens mount cap(1), Power cord(1), USB-C cable(1), Warranty booklet(1)

 

 

 

 

 

More Information
EAN 5013493411302
Manufacturer Sony